The agitation, commotion and excitement in the arena often have a time and place to occur such as trading is open, the fight is on or the jury is assembled. The type of exchange the heroes endure is often public and often with physical action, sensational. Just as the real world audience observes the heroes, so too does the any-man in their world. As a writer embellish and relish in the amount of poetic description and sensational exchange the spectacle can bring. Celebrate the heroes, their opponents, and even their observers. You have taken the time and effort to get your audience there and you may now take the opportunity to thrill them. In literature, any character singled out is special, so even writing of a face in the crowd makes them different. Instead of considering the any-man unimportant, flesh them well enough to at least make them an archetype and allow them to be the witnesses for the heroes' spectacle. This maximizes the vicarious association with the spectacle of the heroes' challenge, and also the granting of the audience freely given action and thrill as the heroes' observer.
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